Bill Wilkinson
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The Artist
Born in Montreal in 1950, Bill grew up with a passion for sketching,
painting and fabricating art objects. He worked for years as
a commercial photographer, designer and illustrator, but all
the while painting in his spare time. After studying under various
Westcoast artists over the years and then experiencing a pivotal
painting trip to Italy in 2001, he decided it was time to devote
all his energies to painting full-time. He now lives and paints
in Tsawwassen, B.C.
Over the years, Bill's painting style has evolved using various
media, from watercolor, acrylic and oil, to mixed media. Currently,
he feels he has found the right expression with mixed media
on panel. His influences are varied, the most significant of
whom are Georges Braque, Jackson Pollack and Hans Hoffman. He
is an Active Member of the Federation of Canadian Artists and
has recently won an award for his mixed media work."
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Genesis
SOLD
Mixed Media on Panel
36 x 36 inches |
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Tuple
Pattern
Mixed Media on Panel
36 x 36 inches |
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Ordinates
Mixed Media on Panel
36 x 36 inches |
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Tablet
V
Mixed Media on Panel
48 x 36 inches |
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Sparke
Mixed Media on Panel
36 x 36 inches |
"Transition" June 9th to
June 24th, 2007
There is enough familiar understructure throughout my
work to allow me a great deal of room to explore when painting.
I love to work with the surface that presents itself to me after
the plaster has cured and been sanded, the metalwork exposed. As
I become more and more conversant with the challenges presented
to me I develop new ideas and directions more easily.
Looking over this group of paintings one can see the transitions:
in colour, changes from cool to warm and dark to bright; orbs appear
and fade; lettering evolves through big monoliths to simple patterns.
It is important to allow oneself room to experiment; continuing
to refine … but not keeping too tight a rein.
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Tribal
Mixed Media on Panel
36 x 36 inches |
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Two
Cultures
Mixed Media on Panel
24 x 48 inches |
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Thither
Mixed Media on Panel
36 x 36 inches |
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Voyageur
Mixed Media on Panel
48 x 36 inches |
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Riff
Mixed Media on Panel
12 x 36 inches |
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Leslunes
Mixed Media on Panel
12 x 36 inches |
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Answer
II
Mixed Media on Panel
12 x 12 inches |
Answer
I
Mixed Media on Panel
12 x 12 inches |
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Dangle
II
Mixed Media on Panel
36 x 12 inches |
Tablet
VI
Mixed Media on Panel
12 x 12 inches |
The Art
The major theme in my work is the struggle between randomness
and control that permeates everyday existence. In my paintings
I try to give these universal powers equal billing; controlling
certain elements of the work but welcoming the random factors
that inevitably appear.
When I create, I endeavour to have an unfettered joyful experience.
The images in my paintings sometimes arrive clearly in my dreams.
At other times they are roughly planned or just emerge as the
paint goes down. Although I begin each piece with a structure,
I like to leave myself totally open to co-create with what Chaos
throws at me. It is an important part of my process.
A recent group of my paintings, the Dialogue series, contains
a kind of symbolic or encrypted language. The paintings convey
the sense that knowledge, wisdom and perhaps personal guidance
is at hand, but it is not readily accessible. Interpretation requires
our contemplation, our engagement. Can we access the message?
In my paintings, I strive to illuminate the notion that while
certain understanding may be elusive it is perhaps only momentarily
beyond our grasp.
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Snippets
Mixed Media on Canvas
24 x 24 inches |
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OS 143
Mixed Media on Panel
24 x 36 inches |
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Koan
Mixed Media on Panel
12 x 36 inches |
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Aiden
Mixed Media on Panel
12 x 12 inches |
Rise
Mixed Media on Panel
12 x 12 inches |
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Code
Mixed Media on Panel
24 x 24 inches |
The
Edge
Mixed Media on Panel
24 x 24 inches |
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Boundaries
Mixed Media on Panel
36 x 36 inches |
Evermore
Mixed Media on Panel
36 x 36 inches |
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Tablet
IV
Mixed Media on Panel
36 x 36 inches |
Whole
Mixed Media on Panel
36 x 36 inches |
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Tumult
Mixed Media on Panel
36 x 36 inches |
Ion
Mixed Media on Panel
36 x 36 inches |
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Destiny
Mixed Media on Panel
24 x 24 inches |
Zenith
Mixed Media on Panel
48 x 36 inches |
The Process
Prior to applying paint, a lot of work goes into preparing the foundation.
First, fortified plaster is carefully applied to a mahogany panel.
Hammered metal and organic materials such as tree bark or found
objects are then shaped and embedded into the wet medium.
Following a curing period ranging from hours to days, the plaster
is etched and sanded by hand allowing the hidden materials to emerge.
Exposed metal surfaces start to reflect light or softly fade depending
on the viewing angle. Multiple layers of semi-transparent paint
washes are then applied to achieve the desired illumination and
depth.
The last few layers are carefully polished to create a surface that,
while appearing rough and textured, is actually sensuously smooth
and soft.
To View Artwork that Bill Wilkinson has sold click HERE
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